![]() ![]() The writers also don’t want those storylines or dialogue to be considered “source material” - their contractual language for the novels, video games or other works that writers may develop into scripts. This means they wouldn’t be competing with computers for credit - or for an original screenplay Oscar. The guild wants to prevent raw, AI-generated storylines or dialogue from being regarded as “literary material” - a term in their contracts for scripts and other story forms a screenwriter produces. But they do not want it to affect the credits that are essential to their prestige and pay. They would be willing, potentially, to shape stories with help from AI software. While many viewers still cringe at the visual avatars of actors like Hamill and Jackson, the aural tech feels further along. It may be fitting that “voice” comes first on that list. SAG-AFTRA used similar language in describing what they wanted, emphasizing the need to protect “human-created work” including alterations to the “voice, likeness or performance” of an actor. ![]() The AMPTP said in a statement in response that its offers included an “AI proposal which protects performers’ digital likenesses, including a requirement for performers’ consent for the creation and use of digital replicas or for digital alterations of a performance.” And we want to be able to use someone’s images, likenesses, and performances to train new generative AI systems without consent or compensation.” “We also want to be able to make changes to principal performers’ dialogue, and even create new scenes, without informed consent. “We want to be able to scan a background performer’s image, pay them for a half a day’s labor, and then use an individual’s likeness for any purpose forever without their consent,” the union said. In a description widely shared by outraged actors on social media, SAG-AFTRA released this characterization of the studios’ AI position, which the AMPTP called a deliberate distortion: ![]()
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